Archive for the ‘Art’ Category

Lightning Made of Owls

Saturday, 14 July, 2012

Lightning Made of Owls castThis is the main cast of the webcomic Lightning Made of Owls, which I run. It’s different from normal webcomics in that I don’t make (most of) the comics. Instead, readers contribute them. Since 2008, collectively all of the contributors have managed to produce over 450 strips.

The concept is fairly simple. If anyone has an idea for a comic, they can draw it up and send it in. “Draw” can be interpreted loosely. The art can be made in any way that tickles the contributor’s fancy. Most are drawn, either by hand and then scanned, or on a computer. Several people have illustrated their comics with photo art. You can also use clip art, or re-use art from previously submitted comics.

Comics are submitted and published under a Creative Commons licence, so all of the art of previous comics is available for remixing and turning into new submissions. Another rule is that comics are approximately PG-rated. No words or images you wouldn’t want a 12-year-old exposed to.

The only other condition on submissions is that they use one or more of the characters from the main cast list. Each of the six primary characters has several distinctive, defining characteristics:

Holly wears big round glasses. You can see her green eyes through them, and she has messy, wavy, auburn hair of medium length. Her colour is green, which she tends to wear a lot, mixing it with floral or other plant-related prints. She’s young, bright, vivacious, and cheerful.

Delkin has long, unkempt black hair. Sometimes he wears it in dreadlocks. Sometimes it covers his eyes. The funny thing is, even when his hair isn’t in his eyes, something else covers them up – dark glasses, goggles, a mask. You never see his eyes. He wears purple and likes diamond check patterns. He’s a bit of a geek, and a joker, always poking fun and seeing the funny side.

Meridien is the mother figure. She is spiritual and mystical and caring. She has long blonde hair and hazel eyes. Her colour is yellow, and her patterns tend to be stars, planets, or mystical symbols. She always wears an accessory made of cloth – be it a scarf, a bow, a scrunchie, a ribbon.

Oliver is bald and has brown eyes. He is strong and noble, which leads him to careers like law enforcement, charity work, or being a superhero. Which is probably why he sports an obvious L-shaped scar, somewhere in his face. He tends to dress in orange and eschews patterns for solid colours.

Samantha is a firebrand. She lives fast and parties hard; she likes being the centre of attention and has a strong will and ambition. She wears red, matching her short, neat hair, and likes stripes (because everyone knows red stripes make stuff go faster). She also loves earrings, and is never seen without a large pair. Her eyes are grey.

Ambrose is the old man of the group. He wears patched clothing, predominantly blue in colour. He has grey hair, bright blue eyes, and a bushy moustache. He’s bright, but eccentric and unpredictable.

The faces of HollyThese characters form a sort of Commedia dell’Arte, or in more modern terms, a universal adaptor cast. They change jobs frequently. They change species. Sometimes they’re not even living creatures. They also exist in all time periods, from prehistory to the far future, and all places, from downtown Earth to the far corners of the universe. They’ve been microbes, and dinosaurs.

As an example, here are just a few of the ways in which contributors have portrayed Holly.

Now why am I writing all of this, in such detail? Because, my friends, even though we’ve managed to publish 460+ comic strips in this project, the contributions are starting to thin out. I’d very much like to keep it going for as long as possible, and to do so I need to rustle up some more contributors.

So, if you have ever wanted to make a webcomic, but haven’t been able to find the time or energy or web skills to do so, here’s your chance. We have ready-made characters for you to use. All you need to do is come up with a single comic strip, make it, and send it in (my e-mail address is at the bottom of the Lightning Made of Owls home page). There are no ongoing commitments or update deadlines that you need to keep. You can send in one strip, or a dozen. Or become a regular contributor. If you have even an inkling of a desire to make a funny piece of artwork, please give it a go.

And what would also be cool: If any of you reading this are actually established webcomic artists – how about making a guest comic for Lightning Made of Owls? It’ll be a nice change of pace for you, and it’ll give you a chance to plug your own comic. I’m happy to include links to your other work. I’d love to hear from you.

Being creative is fun, but I know it’s hard work. Contribute a comic – be creative for just a day, for fun. See how you like it. Thank you.

Basilica San Marco, Venice

Friday, 13 July, 2012

Golden domes

Losing my falsetto

Monday, 9 July, 2012

So, I’ve been noticing over the past year or so that I can’t sing falsetto any more. And it’s annoying.

I have no training whatsoever in singing. I’ve been told that my singing is poor. But I enjoy singing along to songs anyway. And for a long time I used to be able to hit (or at least spray with scattershot) ridiculously high notes by flipping into falsetto.

Only now I can’t. Whenever I try falsetto I get a creaky, raspy sound like there’s something wrong with my throat. I thought it might be temporary, or caused by a sore throat or something, but it’s been persistent for a long time now.

I did some quick Googling and found a bunch of sites talking about male singers losing their falsetto voice, and apparently it’s not a rare thing. But they were all on singing forums, and people were talking about stuff like “chest voice” and “head register” and “vocal cord flaps” and other things I didn’t really understand. Some places said that it’s common for males to lose falsetto as they become more trained in singing in their normal register, because of some technicality with how the vocal cords are being exercised or something, but I’ve never trained my voice in any way. I’m guessing it might just be a thing that gets people as they get older too.

So annoying.

Rome in the Rain

Friday, 22 June, 2012

Rome street in the rain

Onya, Davo!

Wednesday, 13 June, 2012

So, the Sydney Symphony Orchestra welcomes David Robertson as its new Chief Conductor and Artistic Director beginning in 2014 after our current director, Vladimir Ashkenazy, ends his term next year. I’d not heard of Robertson before, but he’s an American and currently directing the Saint Louis Symphony Orchestra.

I haven’t attended a lot of concerts during the directorship of Ashkenazy and before him Gianluigi Gelmetti, but the wife and I now have subscription tickets to concerts this year and I’m looking forward to renewing my regular concert-going. Before Gelmetti, I became very familiar with Edo de Waart, who held the reins for ten years. But I’ll never forget his predecessor, the inimitable Stuart Challender.

Or the concert I attended many years ago in which the Sydney Opera House concert hall was full of people waiting for a dose of classical music. Our beloved Stuart Challender walked on to the stage, to the front of the orchestra and stepped up on to the conductor’s platform. And someone in the audience yelled out very loudly, “Onya, Stuey!!

Only in Australia. I’m hoping David Robertson gets to experience the exuberant enthusiasm of Sydney audiences in a similar way during his tenure.

Missing the Flavour

Friday, 8 June, 2012

So after spending four weeks offline while overseas, I recently caught up on Magic: The Gathering articles over on Daily MTG. The only regular column articles I really read thoroughly are Mark Rosewater’s Making Magic (an absolutely essential read for anyone even vaguely interested in game design of any sort) and what I still like to think of as Matt Cavotta’s Taste the Magic (despite the lamentable fact that Matt gave up the mantle of author to Doug Beyer way back in 2007, accompanied by a name change of the column to Savor the Flavor; not that I have anything against Beyer – he’s a great writer too – but I miss Cavotta).

My reading of Daily MTG is sporadic at the best of times, but I always like to catch up on those columns. I don’t really care so much for all the other columns about optimising your decks, or what the pro players are doing, or what the tournament scene is like, though I do look at them for the cool art and to get the odd idea about how to play the game a bit better. When it comes to player demographics, I’m more of a Melvin/Vorthos than any of Timmy, Johnny, or Spike. (See here if you have no idea what those names mean. Again, they’re worth understanding if you are at all interested in game design, and not just MTG.)

And so it came as a shock to me when I noticed that the archive of Savor the Flavor ended on the 28th of March this year. Doug wrote a farewell column, stating that he was moving on to other jobs within Wizards of the Coast which didn’t give him time to wrote Savor the Flavor any more, and that Wizards hadn’t been able to come up with a suitable replacement writer for the column.

My first reaction: NOOOOOOOO!!!!!

My second reaction, completely unbidden, about three milliseconds later: “I’ll write it!!!”

Of course, this is (almost) completely impractical. I’d have to be given the job by Wizards of the Coast (hmmm, I could live with that). I’d have to be given privy information on upcoming set design (I guess I could live with that). I’d have to write a weekly column on Magic: The Gathering back-story, world design, mythology, art direction, flavour text, and so on, to a strict deadline (I could definitely live with that). Realistically the main obstacle is that Wizards doesn’t know me from a bucket of slime.

This is not to lament my lack of opportunity, but rather to marvel at the fact that my subconscious put me up for the job without any active thought on my part. Actually thinking about it and analysing the idea, I honestly think I could do the job well, but the inner workings of my brain actually realised that before I even had time to give it serious conscious thought. That’s pretty cool.

But, the coolness of my own mysterious subconscious aside, this is (was) a sad day for me, and for everyone else who loves a bit of flavour in their Magic. I just hope Wizards finds a replacement author for the column sooner rather than later. The wider world of Magic will be the poorer in the meantime for not having a dedicated outlet for giving players detailed access to the world, story, and art design of the game.

Another night fountain

Friday, 25 May, 2012

Trevi nightIf you go to Rome, do see the Trevi Fountain at night. It looks more amazing than it does during the day. And the crowds start to drift away around 11pm. :-)

Home from Italy and France

Wednesday, 23 May, 2012

Fontana dei Quattro FiumiWe got home from Paris last night and had about 12 hours sleep. It’s morning and it feels like morning, yay! Here’s a photo from Piazza Navona in Rome.

Autumn leaves

Thursday, 19 April, 2012

Liquidambar leavesSugar Maple leavesJapanese Maple leavesIt always weirds me out when I see lots of new photos being posted to Flickr at this time of year with spring flowers, or around October with autumn leaves. To correct this hemispheric bias, here are some shots I took last weekend.

Who can dance?

Thursday, 29 March, 2012

I did a one-day course at work yesterday on creative and innovative thinking. It was fun and interesting, and I think I picked up some good ideas. The guy giving the course told us a few stories.

One time he was talking to a group of a couple hundred or so kids, maybe around 8 or 9 years old. He yelled excitedly, “Who here can dance?!” And every single kid got up and started dancing around wildly.

Another time he was addressing a group of a couple of hundred business executives. He yelled excitedly, “Who here can dance?!” Not a single one of them moved.

His question: When did all those adults forget how to dance?